Narrative planning for our trailer:
After researching patterns in narrative of other films
within the horror genre we have made our trailer fit Todorov’s and Propp’s
theories in the following ways.
Todorov’s:
Equilibrium: Will be shown at the beginning by light, slow
paced shots showing happy expressions on the teens faces, accompanied by
lighter music connoting equilibrium and peace.
Disruption of the equilibrium: The news report telling the audience that the girl has gone missing, here the happy music ends and darker music signifies that ignorance of the teens.
Recognition of the disruption: Is marked as the teens start to get wary of their surrounding and things start to go wrong.
Attempts to restore: is presents as the group of friends try to get away from the killer and fight her off.
Reinstatement of the equilibrium: is not evident.
Disruption of the equilibrium: The news report telling the audience that the girl has gone missing, here the happy music ends and darker music signifies that ignorance of the teens.
Recognition of the disruption: Is marked as the teens start to get wary of their surrounding and things start to go wrong.
Attempts to restore: is presents as the group of friends try to get away from the killer and fight her off.
Reinstatement of the equilibrium: is not evident.
Propp’s:
Our trailer ideas don’t really fit to Propp’s theory as
although we have a clear villain we don’t have a clear hero, donor, helper or
princess. It is quite common for horror films to deviate from this theory as it
is important for the films to be unpredictable to a certain degree.
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